Cut and pace
The edit itself: the order, the rhythm and the minutes nobody needed.
Send your footage
In every plan
Playback speed
We cut the waiting, so nobody reaches for 2×
What it is
The edit itself. We decide the order, what stays, what goes and how long each moment gets. Most of the work is taking out the minutes that only made sense while you were filming.
How we do it
We start from the title and the first thirty seconds, then build the rest around the two or three moments the video is really for. Cuts land on sound: a tool, a pan, a footstep. Anything that repeats is shown once, well.
What you get back
A cut that sounds like you on a good day, about a fifth shorter than your rough timeline, with a review link where you leave notes on the frame.
Where it worked.
Channels that have it on.
Building a tool chest from one sheet of plywood
Burl & Bench
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1.8M views · 3 weeks ago
A weekly build channel that was losing people at the cut list. We moved the plan to the front and cut the build to the sound of the tools.
Hand-rolled pasta with a Sunday ragù
Pantry Hours
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1.2M views · 4 weeks ago
A home-cooking channel that talked through every step. We let the pan do the talking and moved the recipe card to the end.
Three days along the canyon rim, no resupply
Northbound Miles
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642K views · 1 month ago
Ten hours of trail a day. We cut each day to what a hiker would remember, and let the quiet parts run.
The other settings.
All five are in every Weekly plan.
Cut and pace
The edit itself: the order, the rhythm and the minutes nobody needed.
In every plan
Colour
One look across the whole video, matched shot to shot, from flat or log footage.
In every plan
Sound
Voice first, music under it, the room cleaned, mixed to −14 LUFS for YouTube.
In every plan
Captions and chapters
Captions written and timed by hand, chapters named from the edit, in two languages if you want.
In every plan
Packaging and upload
Title, thumbnail tested three ways, description, end screen and the schedule, handed back ready.
Weekly and Channel plans